THE OPENING CEREMONY of any Olympics provides pageantry at a global scale, a celebration that, at its best, can create moments every bit as indelible as the games themselves. For the Pyeongchang Games, those watching the curtain-raiser at home also witnessed a sight never seen before: a record-setting 1,218 drones joined in a mechanical murmuration.
Drone shows like the one on display at the Pyeongchang Games have taken place before; you may remember the drone army that flanked Lady Gaga at last year's Super Bowl. But the burst of drones that filled the sky Friday night—or early morning, depending on where in the world you watched—comprised four times as many fliers. Without hyperbole, there's really never been anything like it.
As at the Super Bowl, the Pyeongchang drone show comes compliments of Intel's Shooting Star platform, which enables a legion of foot-long, eight ounce, plastic and foam quadcopters to fly in sync, swooping and swirling along an animator's prescribed path.
"It's in essence technology meeting art," says Anil Nanduri, general manager of Intel's drone group.
Intel's Shooting Star drones are about a foot-long, weigh eight ounces, and can fly in formation for up to 20 minutes.|||
Also like the Super Bowl, the opening ceremony production you'll see on your TV—or streaming device—was prerecorded. That's less of a cheat than an insurance policy; tiny drones can only handle so much abuse, and Pyeongchang is a cold and windy city.
Intel had planned to produce a live version of the show for the Pyeongchang opening ceremony crowd, but had to scrap it at the last minute due to what the company describes as "impromptu logistical changes." Television audiences, though, were always only going to see the prerecorded version of the record-setting aerial spectacle. And the Intel plans to lean into live shows throughout the week, with a separate, 300-drone act expected to take off nightly for the medal ceremonies.
In previous outings, the drone fleet has taken forms like a waving American flag backing Gaga, or a twirling Christmas tree at Disney's Starbright Holidays. The Pyeongchang production, as you might expect, includes more Olympic-themed animations, like a gyrating snowboarder and those iconic interlocking rings, all made possible by careful coding, and the four billion color combinations enabled by onboard LEDs. (If you missed the livestream, you can catch the whole thing on the NBC broadcast Friday night.)
"In order to create a real and lifelike version of the snowboarder with more than 1,200 drones, our animation team used a photo of a real snowboarder in action to get the perfect outline and shape in the sky," says Natalie Cheung, Intel's general manager of drone light shows.
As it turns out, bring 1,218 of those drones into harmony doesn't present much more of a logistical challenge than 300, thanks to how the Shooting Star platform works. After animators draw up the show using 3-D design software, each individual drone gets assigned to act as a kind of aerial pixel, filling in the 3-D image against the night sky.
And while more drones does provide a broader canvas, it perhaps more importantly affords a better sense of depth.